Jesenia - Revision history

LairaG: /* Appearance */

2026-09-11T09:06:37Z

Appearance

← Older revision		Revision as of 05:06, 11 September 2026
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	Jesenia is described as resembling her Handmaiden Socorra — "the same high hairstyle; the same stern face but without the blemish of kindness; the same height but appearing greater through thinness." The "blemish of kindness" is a precise distinction: where Socorra's sternness carries a trace of warmth, Jesenia's does not. She appears taller than she is, a thinness that lends her an imposing physical presence reinforced by the throne she occupies.		Jesenia is described as resembling her Handmaiden Socorra — "the same high hairstyle; the same stern face but without the blemish of kindness; the same height but appearing greater through thinness." The "blemish of kindness" is a precise distinction: where Socorra's sternness carries a trace of warmth, Jesenia's does not. She appears taller than she is, a thinness that lends her an imposing physical presence reinforced by the throne she occupies.

	Her hair is her most distinctive feature. It is styled in an intricate arrangement of plaits, coiled and woven into a towering high hairstyle that serves as a visible marker of her rank. The maintenance is onerous: "One of the ~~plaitsthat~~ formed her intricate hairstyle was loose and had already twice been replaced by her Handmaiden." She dreads the full washing process — which requires unwinding the entire structure and the labour of two Handmaidens — and postpones it "until it became unavoidable." In her bathing chamber, she wraps the hair in cloth to protect it, a small vanity that humanises her.		Her hair is her most distinctive feature. It is styled in an intricate arrangement of plaits, coiled and woven into a towering high hairstyle that serves as a visible marker of her rank. The maintenance is onerous: "One of the plaits that formed her intricate hairstyle was loose and had already twice been replaced by her Handmaiden." She dreads the full washing process — which requires unwinding the entire structure and the labour of two Handmaidens — and postpones it "until it became unavoidable." In her bathing chamber, she wraps the hair in cloth to protect it, a small vanity that humanises her.

	She wears the dark grey robes of the Priestess order, with blue rank colouring distinguishing her as Alta Sacerdotisa. She sits on a "majestic throne" in a hall of "orange-gold stone and columns" beneath the golden calcendi, the symbol of Illarión.		She wears the dark grey robes of the Priestess order, with blue rank colouring distinguishing her as Alta Sacerdotisa. She sits on a "majestic throne" in a hall of "orange-gold stone and columns" beneath the golden calcendi, the symbol of Illarión.

LairaG: /* Appearance */

2026-09-11T09:05:42Z

Appearance

← Older revision		Revision as of 05:05, 11 September 2026
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	Her hair is her most distinctive feature. It is styled in an intricate arrangement of plaits, coiled and woven into a towering high hairstyle that serves as a visible marker of her rank. The maintenance is onerous: "One of the plaitsthat formed her intricate hairstyle was loose and had already twice been replaced by her Handmaiden." She dreads the full washing process — which requires unwinding the entire structure and the labour of two Handmaidens — and postpones it "until it became unavoidable." In her bathing chamber, she wraps the hair in cloth to protect it, a small vanity that humanises her.		Her hair is her most distinctive feature. It is styled in an intricate arrangement of plaits, coiled and woven into a towering high hairstyle that serves as a visible marker of her rank. The maintenance is onerous: "One of the plaitsthat formed her intricate hairstyle was loose and had already twice been replaced by her Handmaiden." She dreads the full washing process — which requires unwinding the entire structure and the labour of two Handmaidens — and postpones it "until it became unavoidable." In her bathing chamber, she wraps the hair in cloth to protect it, a small vanity that humanises her.

	She wears the dark grey robes of the Priestess order, with blue rank colouring distinguishing her as Alta Sacerdotisa. She sits on a "majestic throne" in a hall of "orange-gold stone and columns" beneath the golden calcendi, the symbol of ~~Illarion~~.		She wears the dark grey robes of the Priestess order, with blue rank colouring distinguishing her as Alta Sacerdotisa. She sits on a "majestic throne" in a hall of "orange-gold stone and columns" beneath the golden calcendi, the symbol of Illarión.

	The reference photos show the following details not explicit in the novel text: dark espresso brown hair styled into an exceptionally tall, architectural bun of thick plaits coiled and layered into a crown-like structure atop her head; warm hazel-brown eyes; a refined oval face with high sculpted cheekbones, a straight nose, and a well-defined jawline; a fair, clear complexion with a smooth matte finish; a slender build with a graceful neck. She wears a heavy black hooded cloak with edges trimmed in deep navy blue velvet ribbon. A distinctive gold nath-style jewellery piece connects a small gold hoop in her right ear to a matching hoop in her right nostril by a fine gold chain. In the formal portrait, her expression is stern, controlled, and authoritative, with a steady, unwavering gaze, set against a mottled dark grey-brown studio backdrop. In the second photo, she is captured looking back over her shoulder from a stone interior with an arched window, her expression more guarded and observant, with a bleak winter landscape of bare trees visible through the window under an overcast sky.		The reference photos show the following details not explicit in the novel text: dark espresso brown hair styled into an exceptionally tall, architectural bun of thick plaits coiled and layered into a crown-like structure atop her head; warm hazel-brown eyes; a refined oval face with high sculpted cheekbones, a straight nose, and a well-defined jawline; a fair, clear complexion with a smooth matte finish; a slender build with a graceful neck. She wears a heavy black hooded cloak with edges trimmed in deep navy blue velvet ribbon. A distinctive gold nath-style jewellery piece connects a small gold hoop in her right ear to a matching hoop in her right nostril by a fine gold chain. In the formal portrait, her expression is stern, controlled, and authoritative, with a steady, unwavering gaze, set against a mottled dark grey-brown studio backdrop. In the second photo, she is captured looking back over her shoulder from a stone interior with an arched window, her expression more guarded and observant, with a bleak winter landscape of bare trees visible through the window under an overcast sky.

LairaG: /* Speech */

2026-09-11T08:48:41Z

Speech

← Older revision		Revision as of 04:48, 11 September 2026
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	==Speech==		==Speech==

	Jesenia's speech is formal Altierran, measured and controlled, with a register that shifts subtly depending on her audience. She addresses subordinates by title — "Mariscal," "Teniente," "Captain" — and is addressed as "~~Domina~~" in return. Her speech is the language of authority: declarative, questioning, and imperious by turns, but never loud.		Jesenia's speech is formal Altierran, measured and controlled, with a register that shifts subtly depending on her audience. She addresses subordinates by title — "Mariscal," "Teniente," "Captain" — and is addressed as "Dómina" in return. Her speech is the language of authority: declarative, questioning, and imperious by turns, but never loud.

	Her formal commands often use uncontracted phrasing — "I do not," "I am not," "It is" — but she is not rigidly uncontracted; in less formal moments she can contract naturally, as when she warns Valdez that his preoccupation "doesn't cloud your judgement." Her register is the speech of someone who has never needed to hurry her words because no one would dare interrupt her.		Her formal commands often use uncontracted phrasing — "I do not," "I am not," "It is" — but she is not rigidly uncontracted; in less formal moments she can contract naturally, as when she warns Valdez that his preoccupation "doesn't cloud your judgement." Her register is the speech of someone who has never needed to hurry her words because no one would dare interrupt her.

LairaG: /* Character */

2026-08-31T07:10:56Z

Character

← Older revision		Revision as of 03:10, 31 August 2026
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	After brute interrogation by Valdez yields limited results, Jesenia shifts toward containment, instruction, and exploitation. Her instinct is not to escalate the torture but to consider what the portal means for Altierra: "If this portal is as nondescript as I suspect, the more of the strangers we have, the better the chance of one of them remembering." She commissions Socorra to search the scriptorium for historical records, recognising that the portal may have been discovered before. This intellectual curiosity sets her apart from her subordinates; she wants to understand before she acts.		After brute interrogation by Valdez yields limited results, Jesenia shifts toward containment, instruction, and exploitation. Her instinct is not to escalate the torture but to consider what the portal means for Altierra: "If this portal is as nondescript as I suspect, the more of the strangers we have, the better the chance of one of them remembering." She commissions Socorra to search the scriptorium for historical records, recognising that the portal may have been discovered before. This intellectual curiosity sets her apart from her subordinates; she wants to understand before she acts.

	She manages Valdez with cold precision. When the ~~Mariscal~~ fixates on recapturing Meg and the other children, Jesenia warns him: "You speak of her with an intensity that borders on a preoccupation, ~~Mariscal~~. Mind that it doesn't cloud your judgement." When he fails to find the siblings, her response is a passive-aggressive threat: "I wonder if I should appoint another officer to handle this." She does not shout or rage; she questions, implies, and lets silence do the work. Her management style is control through uncertainty — subordinates never know exactly where they stand, which keeps them striving.		She manages Valdez with cold precision. When the Custodio fixates on recapturing Meg and the other children, Jesenia warns him: "You speak of her with an intensity that borders on a preoccupation, Custodio. Mind that it doesn't cloud your judgement." When he fails to find the siblings, her response is a passive-aggressive threat: "I wonder if I should appoint another officer to handle this." She does not shout or rage; she questions, implies, and lets silence do the work. Her management style is control through uncertainty — subordinates never know exactly where they stand, which keeps them striving.

	She can be petty and cruel in small ways. When a braid loosens in her hairstyle, "that Handmaiden would suffer for her incompetence" — a casual cruelty directed at someone who cannot defend themselves. When Madesto delivers Emily and is later questioned, Jesenia uses the return of his reward money as a way to pressure and control him: "So maybe you should be thinking of returning the reward." She does not need the money; she simply cannot let the transaction pass without reasserting her authority over it. These small cruelties reveal the texture of her power — not grand villainy, but the petty tyranny of someone unaccountable.		She can be petty and cruel in small ways. When a braid loosens in her hairstyle, "that Handmaiden would suffer for her incompetence" — a casual cruelty directed at someone who cannot defend themselves. When Madesto delivers Emily and is later questioned, Jesenia uses the return of his reward money as a way to pressure and control him: "So maybe you should be thinking of returning the reward." She does not need the money; she simply cannot let the transaction pass without reasserting her authority over it. These small cruelties reveal the texture of her power — not grand villainy, but the petty tyranny of someone unaccountable.

LairaG: /* Speech */

2026-08-31T06:44:41Z

Speech

← Older revision		Revision as of 02:44, 31 August 2026
Line 45:		Line 45:
	==Speech==		==Speech==

	Jesenia's speech is formal Altierran, measured and controlled, with a register that shifts subtly depending on her audience. She addresses subordinates by title — "~~Marischal~~," "Teniente," "Captain" — and is addressed as "Domina" in return. Her speech is the language of authority: declarative, questioning, and imperious by turns, but never loud.		Jesenia's speech is formal Altierran, measured and controlled, with a register that shifts subtly depending on her audience. She addresses subordinates by title — "Mariscal," "Teniente," "Captain" — and is addressed as "Domina" in return. Her speech is the language of authority: declarative, questioning, and imperious by turns, but never loud.

	Her formal commands often use uncontracted phrasing — "I do not," "I am not," "It is" — but she is not rigidly uncontracted; in less formal moments she can contract naturally, as when she warns Valdez that his preoccupation "doesn't cloud your judgement." Her register is the speech of someone who has never needed to hurry her words because no one would dare interrupt her.		Her formal commands often use uncontracted phrasing — "I do not," "I am not," "It is" — but she is not rigidly uncontracted; in less formal moments she can contract naturally, as when she warns Valdez that his preoccupation "doesn't cloud your judgement." Her register is the speech of someone who has never needed to hurry her words because no one would dare interrupt her.
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	She uses the Altierran possessive "mine" in formal constructions — "You have mine attention" — a stylistic marker that sets her speech apart from both the Maddisons' modern English and the Bestia's deferential register. This archaic form is a marker of high Altierran status.		She uses the Altierran possessive "mine" in formal constructions — "You have mine attention" — a stylistic marker that sets her speech apart from both the Maddisons' modern English and the Bestia's deferential register. This archaic form is a marker of high Altierran status.

	Her questions are often threats disguised as inquiries. "I wonder if I should appoint another officer to handle this" is not a genuine question but a warning. "Have you considered, ~~Marischal~~ Valdez, that the portal may not look in the slightest bit unusual from our side?" is not a request for an opinion but a redirection of a failing strategy. She leads with questions because questions force the respondent to acknowledge their own inadequacy.		Her questions are often threats disguised as inquiries. "I wonder if I should appoint another officer to handle this" is not a genuine question but a warning. "Have you considered, Marishal Valdez, that the portal may not look in the slightest bit unusual from our side?" is not a request for an opinion but a redirection of a failing strategy. She leads with questions because questions force the respondent to acknowledge their own inadequacy.

	She is direct when she chooses to be. "Stand clear." "Dismissed." "You are wagering your life." These clipped imperatives carry the weight of absolute authority — she does not need to explain or justify. The brevity itself is a display of power; only someone who cannot be challenged can speak so tersely.		She is direct when she chooses to be. "Stand clear." "Dismissed." "You are wagering your life." These clipped imperatives carry the weight of absolute authority — she does not need to explain or justify. The brevity itself is a display of power; only someone who cannot be challenged can speak so tersely.

LairaG: /* Character */

2026-08-31T06:43:51Z

Character

← Older revision		Revision as of 02:43, 31 August 2026
Line 29:		Line 29:
	After brute interrogation by Valdez yields limited results, Jesenia shifts toward containment, instruction, and exploitation. Her instinct is not to escalate the torture but to consider what the portal means for Altierra: "If this portal is as nondescript as I suspect, the more of the strangers we have, the better the chance of one of them remembering." She commissions Socorra to search the scriptorium for historical records, recognising that the portal may have been discovered before. This intellectual curiosity sets her apart from her subordinates; she wants to understand before she acts.		After brute interrogation by Valdez yields limited results, Jesenia shifts toward containment, instruction, and exploitation. Her instinct is not to escalate the torture but to consider what the portal means for Altierra: "If this portal is as nondescript as I suspect, the more of the strangers we have, the better the chance of one of them remembering." She commissions Socorra to search the scriptorium for historical records, recognising that the portal may have been discovered before. This intellectual curiosity sets her apart from her subordinates; she wants to understand before she acts.

	She manages Valdez with cold precision. When the ~~Marischal~~ fixates on recapturing Meg and the other children, Jesenia warns him: "You speak of her with an intensity that borders on a preoccupation, ~~Marischal~~. Mind that it doesn't cloud your judgement." When he fails to find the siblings, her response is a passive-aggressive threat: "I wonder if I should appoint another officer to handle this." She does not shout or rage; she questions, implies, and lets silence do the work. Her management style is control through uncertainty — subordinates never know exactly where they stand, which keeps them striving.		She manages Valdez with cold precision. When the Mariscal fixates on recapturing Meg and the other children, Jesenia warns him: "You speak of her with an intensity that borders on a preoccupation, Mariscal. Mind that it doesn't cloud your judgement." When he fails to find the siblings, her response is a passive-aggressive threat: "I wonder if I should appoint another officer to handle this." She does not shout or rage; she questions, implies, and lets silence do the work. Her management style is control through uncertainty — subordinates never know exactly where they stand, which keeps them striving.

	She can be petty and cruel in small ways. When a braid loosens in her hairstyle, "that Handmaiden would suffer for her incompetence" — a casual cruelty directed at someone who cannot defend themselves. When Madesto delivers Emily and is later questioned, Jesenia uses the return of his reward money as a way to pressure and control him: "So maybe you should be thinking of returning the reward." She does not need the money; she simply cannot let the transaction pass without reasserting her authority over it. These small cruelties reveal the texture of her power — not grand villainy, but the petty tyranny of someone unaccountable.		She can be petty and cruel in small ways. When a braid loosens in her hairstyle, "that Handmaiden would suffer for her incompetence" — a casual cruelty directed at someone who cannot defend themselves. When Madesto delivers Emily and is later questioned, Jesenia uses the return of his reward money as a way to pressure and control him: "So maybe you should be thinking of returning the reward." She does not need the money; she simply cannot let the transaction pass without reasserting her authority over it. These small cruelties reveal the texture of her power — not grand villainy, but the petty tyranny of someone unaccountable.

LairaG: /* Appearance */

2026-08-12T17:38:24Z

Appearance

← Older revision		Revision as of 13:38, 12 August 2026
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	Jesenia is described as resembling her Handmaiden Socorra — "the same high hairstyle; the same stern face but without the blemish of kindness; the same height but appearing greater through thinness." The "blemish of kindness" is a precise distinction: where Socorra's sternness carries a trace of warmth, Jesenia's does not. She appears taller than she is, a thinness that lends her an imposing physical presence reinforced by the throne she occupies.		Jesenia is described as resembling her Handmaiden Socorra — "the same high hairstyle; the same stern face but without the blemish of kindness; the same height but appearing greater through thinness." The "blemish of kindness" is a precise distinction: where Socorra's sternness carries a trace of warmth, Jesenia's does not. She appears taller than she is, a thinness that lends her an imposing physical presence reinforced by the throne she occupies.

	Her hair is her most distinctive feature. It is styled in an intricate arrangement of ~~braids~~, coiled and woven into a towering high hairstyle that serves as a visible marker of her rank. The maintenance is onerous: "One of the ~~braids that~~ formed her intricate hairstyle was loose and had already twice been replaced by her Handmaiden." She dreads the full washing process — which requires unwinding the entire structure and the labour of two Handmaidens — and postpones it "until it became unavoidable." In her bathing chamber, she wraps the hair in cloth to protect it, a small vanity that humanises her.		Her hair is her most distinctive feature. It is styled in an intricate arrangement of plaits, coiled and woven into a towering high hairstyle that serves as a visible marker of her rank. The maintenance is onerous: "One of the plaitsthat formed her intricate hairstyle was loose and had already twice been replaced by her Handmaiden." She dreads the full washing process — which requires unwinding the entire structure and the labour of two Handmaidens — and postpones it "until it became unavoidable." In her bathing chamber, she wraps the hair in cloth to protect it, a small vanity that humanises her.

	She wears the dark grey robes of the Priestess order, with blue rank colouring distinguishing her as Alta Sacerdotisa. She sits on a "majestic throne" in a hall of "orange-gold stone and columns" beneath the golden calcendi, the symbol of Illarion.		She wears the dark grey robes of the Priestess order, with blue rank colouring distinguishing her as Alta Sacerdotisa. She sits on a "majestic throne" in a hall of "orange-gold stone and columns" beneath the golden calcendi, the symbol of Illarion.

	The reference photos show the following details not explicit in the novel text: dark espresso brown hair styled into an exceptionally tall, architectural bun of thick ~~braids~~ coiled and layered into a crown-like structure atop her head; warm hazel-brown eyes; a refined oval face with high sculpted cheekbones, a straight nose, and a well-defined jawline; a fair, clear complexion with a smooth matte finish; a slender build with a graceful neck. She wears a heavy black hooded cloak with edges trimmed in deep navy blue velvet ribbon. A distinctive gold nath-style jewellery piece connects a small gold hoop in her right ear to a matching hoop in her right nostril by a fine gold chain. In the formal portrait, her expression is stern, controlled, and authoritative, with a steady, unwavering gaze, set against a mottled dark grey-brown studio backdrop. In the second photo, she is captured looking back over her shoulder from a stone interior with an arched window, her expression more guarded and observant, with a bleak winter landscape of bare trees visible through the window under an overcast sky.		The reference photos show the following details not explicit in the novel text: dark espresso brown hair styled into an exceptionally tall, architectural bun of thick plaits coiled and layered into a crown-like structure atop her head; warm hazel-brown eyes; a refined oval face with high sculpted cheekbones, a straight nose, and a well-defined jawline; a fair, clear complexion with a smooth matte finish; a slender build with a graceful neck. She wears a heavy black hooded cloak with edges trimmed in deep navy blue velvet ribbon. A distinctive gold nath-style jewellery piece connects a small gold hoop in her right ear to a matching hoop in her right nostril by a fine gold chain. In the formal portrait, her expression is stern, controlled, and authoritative, with a steady, unwavering gaze, set against a mottled dark grey-brown studio backdrop. In the second photo, she is captured looking back over her shoulder from a stone interior with an arched window, her expression more guarded and observant, with a bleak winter landscape of bare trees visible through the window under an overcast sky.

	==Character==		==Character==

LairaG: /* Timetable */

2026-08-11T19:37:16Z

Timetable

← Older revision		Revision as of 15:37, 11 August 2026
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	A representative line that captures her voice: "When I give an order, I do not expect inferiors to gainsay me." — precise, hierarchical, and revealing of a woman who has shaped her entire world-view around the principle that authority must never be questioned, including her own.		A representative line that captures her voice: "When I give an order, I do not expect inferiors to gainsay me." — precise, hierarchical, and revealing of a woman who has shaped her entire world-view around the principle that authority must never be questioned, including her own.

	==~~Timetable~~==		==Timeline==

	{\| class="wikitable"		{\| class="wikitable"

LairaG: /* History */

2026-08-11T15:46:55Z

History

← Older revision		Revision as of 11:46, 11 August 2026
Line 63:		Line 63:
	A representative line that captures her voice: "When I give an order, I do not expect inferiors to gainsay me." — precise, hierarchical, and revealing of a woman who has shaped her entire world-view around the principle that authority must never be questioned, including her own.		A representative line that captures her voice: "When I give an order, I do not expect inferiors to gainsay me." — precise, hierarchical, and revealing of a woman who has shaped her entire world-view around the principle that authority must never be questioned, including her own.

	==~~History~~==		==Timetable==

			{\| class="wikitable"
			\|-
			! Year !! Age !! Event
			\|-
			\| 501 \|\| - \|\| Born
			\|-
			\| 5xx \|\| 00 \|\| Becomes High Priestess
			\|-
			\| 556 \|\| 55 \|\| Maddisons enter Altierra
			\|}

	==Images==		==Images==

LairaG: /* Speech */

2026-08-10T19:05:43Z

Speech

← Older revision		Revision as of 15:05, 10 August 2026
Line 44:		Line 44:

	==Speech==		==Speech==

			Jesenia's speech is formal Altierran, measured and controlled, with a register that shifts subtly depending on her audience. She addresses subordinates by title — "Marischal," "Teniente," "Captain" — and is addressed as "Domina" in return. Her speech is the language of authority: declarative, questioning, and imperious by turns, but never loud.

			Her formal commands often use uncontracted phrasing — "I do not," "I am not," "It is" — but she is not rigidly uncontracted; in less formal moments she can contract naturally, as when she warns Valdez that his preoccupation "doesn't cloud your judgement." Her register is the speech of someone who has never needed to hurry her words because no one would dare interrupt her.

			She uses the Altierran possessive "mine" in formal constructions — "You have mine attention" — a stylistic marker that sets her speech apart from both the Maddisons' modern English and the Bestia's deferential register. This archaic form is a marker of high Altierran status.

			Her questions are often threats disguised as inquiries. "I wonder if I should appoint another officer to handle this" is not a genuine question but a warning. "Have you considered, Marischal Valdez, that the portal may not look in the slightest bit unusual from our side?" is not a request for an opinion but a redirection of a failing strategy. She leads with questions because questions force the respondent to acknowledge their own inadequacy.

			She is direct when she chooses to be. "Stand clear." "Dismissed." "You are wagering your life." These clipped imperatives carry the weight of absolute authority — she does not need to explain or justify. The brevity itself is a display of power; only someone who cannot be challenged can speak so tersely.

			Her sardonic register surfaces with those she considers beneath her. To Madesto: "So maybe you should be thinking of returning the reward." To Valdez about the missing children: "Three children in strange clothes and peculiar speech wandering around the island and you have heard naught?" The sarcasm is dry and controlled, never rising to anger, and is more devastating for its calmness.

			She rarely shows emotion in speech. Her anger is expressed through precision rather than volume — the tighter and more measured her language, the more dangerous she is. When she is genuinely moved, as in the bathing room with Socorra, her speech becomes simpler and more personal: "I know this is a hard and tedious task, Socorra." The use of the first name, the acknowledgment of difficulty — these are the rare moments where Jesenia the person briefly surfaces beneath Jesenia the High Priestess.

			She speaks to Meg with a particular register: ownership disguised as courtesy. "When I give an order, I do not expect inferiors to gainsay me" — the word "inferiors" is precise and deliberate, establishing hierarchy even in correction. She does not insult Meg; she simply places her in the system and expects her to remain there.

			A representative line that captures her voice: "When I give an order, I do not expect inferiors to gainsay me." — precise, hierarchical, and revealing of a woman who has shaped her entire world-view around the principle that authority must never be questioned, including her own.

	==History==		==History==